interesting but smug - Rated 
A great read if you can cope with the "heres another one of my friends who owns a wood etc"
A book to savour next to a roaring log (oops!) fire - Rated 
Sorry about the pun above, but it's true. This is a large book that deserves a huge armchair, a wee dram and the aforementioned fire.
At last I have got round to reading this, and devoured it over a wet Easter weekend. If ever a book encouraged you to get out there and actually SEE the natural world around you, and APRECIATE it, then this is the one. Sure there are minor criticisms, mainly stylistic, but if you read this in conjunction with his good friend Robert McFarlane's book you will see that this book was (possibly) written under circumstances where the author was unwell, which perhaps leads to the sometimes "bitty" nature of the narrative. But even without eulogising too much over this one, the author's love of the countryside shines through and if the purpose of this book is to put that across and get the reader to think outside their four walls then this surely succeeds.
Inspiring, and inspired - Rated
A lovely book. I came upon Wildwood as a novice, never having read anything by Deakin before - but he is good; he is very good. The book comes in four main blocks: Roots, about his home and youth; Sapwood, on British wood, woods and artists; Driftwood, on his travels in Europe, Australia and central Asia; and Heartwood, back to his home area of Suffolk. Each block comes in short chapters, full of information, insight, and excellent writing. He likes sleeping outside or in an old railway wagon, and links this to writings by Jefferies or Thoreau, recites the beams in his house, or starts talking about an ancient propeller hub in his study and diversifies that into walnut and all its applications, down to Jaguar gear knobs. I could have done without the Australian bits - they just don't resonate for me (hence four stars). But the Kazak and Kyrgyz chapters are wonderful, and more than make up for it. He is never dull - the writing is full of links to the familiar, observations on new insights, fascinating snippets. This is an inspiring book, by an inspired writer.
A Rare, Eccentric Gem - Rated
This is one of those delightful books that you stumble on from time to time that is almost impossible to categorise.
Roger Deakin was a campaigner, writer and environmentalist; he was one of the founding members of Friends of the Earth. He was a true English eccentric. He lived in a house, in Suffolk with a moat - in which he swam regularly. A few years ago he wrote a book that centred on his desire to visit - and to swim in - most of the important bits of water in the UK (and many less important ones as well).
In this book Deakin turns his attention to wood - all things to do wtih wood, wood clearly being one of the passions of his life.
So, Deakin explores woods. He camps out in woods to be at one with the environment and the wildlife. He camps in woods in England and explores woods around the world. But he also turns his mind to other things to do with wood.
There are fantastic articles on driftwood for example, There are pieces on artists who work in wood. There are contemplations on the economic value of wood and how it may yet have a major role to play in creating a sustainable world economy.
Deakin's writing style is fluid, easy to follow and very entertaining. He is both eccentric and funny; a genuinely warm man.
Sadly, Deakin died just after this book was completed. I wonder to what extent this was conceived and put together as a very unique work of love. Still, Wildwood stands as a fine legacy to a superb writer.
I wish I could describe this book more fully but I simply wouldn't be able to do it justice. But if this sounds remotely interesting go and buy it. You won't be disappointed.
Inspiring, and inspired - Rated
A lovely book. I came upon Wildwood as a novice, never having read anything by Deakin before - but he is good; he is very good. The book comes in four main blocks: Roots, about his home and youth; Sapwood, on British wood, woods and artists; Driftwood, on his travels in Europe, Australia and central Asia; and Heartwood, back to his home area of Suffolk. Each block comes in short chapters, full of information, insight, and excellent writing. He likes sleeping outside or in an old railway wagon, and links this to writings by Jefferies or Thoreau, recites the beams in his house, or starts talking about an ancient propeller hub in his study and diversifies that into walnut and all its applications, down to Jaguar gear knobs. I could have done without the Australian bits - they just don't resonate for me (hence four stars). But the Kazak and Kyrgyz chapters are wonderful, and more than make up for it. He is never dull - the writing is full of links to the familiar, observations on new insights, fascinating snippets. This is an inspiring book, by an inspired writer.
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