A Brutal Existential Look at Ethics - Rated 
Please be aware that this book also appeared under the title of Death and Judgment. If you are trying to read the whole series, read one or the other. This is the fourth novel in the Guido Brunetti series of mysteries.
As the book opens, it's late September and a Rumanian truck carrying lumber plunges off the road and into a rock face to open up a grisly scene of crushed and broken young women amid scattered pine boards. Paolo, Guido's wife, notes the story where it remains tucked in her memory until it can provide a critical clue.
The scene shifts to late November when prominent international lawyer Carlo Trevisan is found murdered on a late night train to Venice, where Trevisan lived. Vice-Questore Patta is annoyed that he had been called to the scene when Brunetti could not be reached. The mayor of Venice quickly calls the next morning to ask for a quick and quiet solution. Since there's no evidence of robbery, Brunetti must probe into motives. Who didn't like Trevisan?
Brunetti gets a quick leg up when Signorina Elletra's sister agrees to share information about the wife and daughter of the murdered man, who had been patients. When the crime comes up for discussion at home, Brunetti's daughter, Chiara, says she knows the daughter and agrees to ask around a bit.
When Chiara turns out to be good at snooping through gossiping with friends, there's a major confrontation in the Brunetti household concerning the ethics of such undercover methods employing a minor.
The case becomes more clouded when a successful accountant is found dead of an apparent suicide, but leaving behind the telephone number of the dead attorney in his address book. When the numbers are matched up with the records of the attorney's calling, they show a disturbing pattern . . . including many international calls and to a bar where the ladies rent by the hour in a rough part of town.
Trevisan's widow and her brother seem determined to shut off the police investigation. Frustrated that he's getting nowhere, Brunetti calls in a favor for a judge who tells him more about the background of the attorney and his family. Tracking through a tangled series of clues, the case takes one more twisted turn when the widow's brother is also killed.
The case breaks open quite suddenly when an unexpected clue is dropped into Brunetti's lap. From there, it's a question of how to accomplish justice. But is there any justice other than God's? You may be reminded of the myth of Sisyphus as you contemplate the ending of this existential look at the human condition.
For those who like action and mysteries evolving in ways that they can solve just ahead of the author's revelations, A Venetian Reckoning will be a disappointment. But for those who enjoy tough ethical questions, this is a very fine book. In either case, the book's primary limitation is Ms. Leon's customary dark view of human nature. In this book, she goes about as far as you can go and still slightly separate humans from vicious, uncaring predators.
Interesting story but the ending is AWFUL! - Rated 
I have read three of Donna Leon's books so far and I will read no more of them. Why? I'll tell you why. I read "A Venetian Reckoning" and the story was good, characters were believable and likeable (even though Brunetti's wife can't stop complaining and whining). In "Venetian Reckoning", we even get a great "tough cop" confrontation scene with the widow of the victim. But in the last 20 pages or so, the story just unravels and falls apart and the ending seems rushed as if Leon had a deadline to meet and she wrote the quickest ending she could think of. Suddenly the book is over and I felt cheated and angry. It was the same with "Uniform Justice" and "An Anonoymous Venetian" - great story but the story just unravels at the end into something really annoying and unsatisfying. Until Leon learns how to end a story properly, I won't be buying any more of her books.
Another Triumph for Leon and Brunetti - Rated 
Donna Leon manages another fabulous novel with her wonderfully human detective, Comassario Guido Brunetti. She effortlessly builds upon the work of her previous three novels in the series furthering our knowledge of Brunetti until he feels like an old friend. Additionally, she creates a fabulous portrait of Venice, so accurate that you feel as though you are in the city. A dark mystery that draws you into the underbelly of Venezia and the trade of human sexual vice. A fabulous book.
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