Depressingly brilliant - Rated 
I think the most astonishing thing about Bret Easton Ellis's first book is how well constructed it is, how it permanently keeps you on edge, and how effectively it conveys an atmosphere of increasing dread out of what starts out to be just an impressive amount of shallowness. American Psycho notwithstanding, Less than Zero might just be his most powerful book, and if you are new to Ellis, then you are in for a real treat. For those in the know, all the familiar Ellis themes are already firmly in place: the emptiness, the alienation, the complete boredom of a spoiled generation - abandoned and eaten by their parents - who only get their kicks in the most perverse and obscene ways. These LA scenesters are utterly dead, or better yet, they are undead, and, like proper vampires, need to sustain themselves on a steady diet of human sacrifice. The deaths, OD's, car-crashes and snuff films are the only things that raise a flicker of genuine interest in them. All the rest (the parties, the drugs, the sex) is just business as usual.
What is not business as usual is the way Ellis carefully builds on this, introducing and exposing the reader to all the superficial drug abuse and mindless sex before building up to the real decadence underneath - the only one that seems to elicit a flicker of interest (if not true excitement) from these walking dead. And in Clay, Ellis has one of his best characters: as dead as the rest of them, he expertly guides the reader through this emotionally barren landscape, showing just the tiniest bit of troubled humanity needed to sustain the reader, towards the final scenes, before returning to his emotionally flat-lined natural state. In any novel, this type of pacing would be great, but for a first novel written in his mid-twenties, it is absolutely ace. Read it and be depressed by Ellis's brilliance.
The dumbest generation yet - Rated
Very much a practise run for American Psycho, this nihilistic tale of alienation and ennui among 1980s Los Angeles youth leaves the reader with a feeling of emptiness and despair. This is not alienation through poverty but through excess, the triumph of consumerism over imagination, catalysed by a second-rate culture and education system, and poor quality parenting. Narrated by Clay, on holiday in Los Angeles for Christmas, a clique of decadent and aimless young Californians subsists on a soulless diet of MTV cable, porn films, cocaine, crystal meth and loveless sex; what Philip Roth has called `the dumbest generation yet.' In this moral vacuum they drift from one ruinous party to another, indifferent to the often tragic consequences of their actions (ODs, abortions), balancing precariously between a meaningless life and a meaningless death. The novel is powerful, effective and accomplished in a horrible sort of way, with an undertone of menace, but in the end you can't help feeling that it is as pointless as the lives of the cartoon-ish characters within. A book to sink the spirits.
The No Future Generation - Rated
"Less Than Zero" is the first novel by the American writer Bret Easton Ellis. The main characters name is Clay, a New Hampshire college student, who returns home to Los Angeles for Christmas vacation. Clay and his friends are travelling from party to party, taking drugs and having sex with one another. It's the normal life of American upper class teenagers, but then the parties are getting wilder and wilder, Clay notices that his best friend is a junky and other friends of his are watching hardcore snuff pornos. And once Clay asks a friend: "Why are you doing this? You have everything," and he answers: "No I don't. I don't have anything to lose."
And that's exactly what the book is about - the description of the "no future generation". It's the generation which has nothing to do, because they have everything. So they are destroying themselves, and B. E. Ellis describes this mercilessly.
"Less Than Zero" is a harsh and violent book, which shows the problems of our society: boredom, egoism, over-stimulation... "Less Than Zero" was written in the 80's, but the problems are as relevant today as they were then.
Sick, depraved and altogether wonderful - Rated 
Bret Easton Ellis is the Irvine Welsh of America - or is Irvine Welsh the....well never mind. The book is unnerving, unsettling and disgusting but thats because it talks to your very soul, it disturbes you at a visceral level. You want this and you want this bad but your mind cannot countenance your desires.
BEE has written the ultimate teen-angst book that makes Salinger look like Enid Blyton. The cool words and hip prose are only a cover for the savagery beneath that explains the heart of every teenager.
Read it back to back with Trainspotting for a truly gut-wrenching, stomach churning exhilarating experience.
Lunar Park - Rated 
I think the time has come for me to stop reading Bret Easton Ellis books, not least because I've read them all. Except Glamorama. The real reason is that after reading "American Psycho", and thinking it was one of the three best things I read that year, I have been disappointed with everything else he has written.
Lunar Park is a bit of a departure however from Ellis' other novels. While everything else was largely bereft of emotion, this one does attempt to have some kind of emotional depth. Unfortunately it's a depth within a pretty standard horror thriller, not unlike Stephen King and Clive Barker. You've got sinister cuddly toys, hallucinations (maybe), a protagonist who may be losing touch with reality, and supporting characters who won't believe or trust him. Read it all before. Seen it all before too in various lame movies. It probably won't be too long before this is one of them. It's fairly tightly plotted, and moves along at a decent pace, but I couldn't help thinking that Ellis had more potential than this - than writing himself into cliched horror fiction, and attempting to make it interesting by claiming every word is true. Previous novels, while unpleasant and (with the exception of American Psycho) disappointing were at least attempts at literary importance. They at least tried to say something about America and Ellis' generation. Lunar Park hints at the paranoia America has been plunged into by the 9/11 events and Columbine, and all those other grim outrages but... again, it's a horror novel so it's more of a backdrop than a commentary.
I'll finish with a bit of advice. If you've never read Ellis before, start out with American Psycho, but be warned, you'd better be prepared for some unpleasantness, cos that book is sick. It's also hilarious. After American Psycho... there's nowhere else to go. None of Ellis' other books come close, and I spent a minute there trying to think of another writer to recommend to you instead, but the truth is, there's nothing else like American Psycho out there... as far as I'm aware.
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