Augustine for Armchair Theologians

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Augustine for Armchair Theologians

author:Stephen Cooper
format:Paperback Buy Augustine for Armchair Theologians Now
publisher:Westminster/John Knox Press,U.S.
released:December 1, 2002
isbn:0664223729
isbn-13:9780664223724
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Customer Reviews

Sit right down... - Rated 5/5
Stephen Cooper, associate professor of religious studies at Franklin and Marshall College in Pennsylvania, has produced a very readable and practical guide to Augustine in this text, 'Augustine for the Armchair Theologians'. At first glance, one might think that the text is not a serious text (not always a bad thing to assume, mind you), as there are line-art drawing of a cartoon-ish nature throughout, but this is no book for dummies (although it is very accessible). Cooper does not dishonour the text of Augustine's 'Confessions', instead following very closely the autobiographical portion of the 'Confessions', deviating only to bring in outside material (from Augustine or from other sources) to further enlighten the reader.

Augustine remains a pivotal figure, both in church history, and history of the world generally. A man of great passion and great intellect, he combined these in fascinating ways, producing what many call the first real autobiography (in his 'Confessions') and putting together a mammoth collection of practical and philosophical theological writings, such that the scholar Isidore of Seville wrote that 'he who claims to have mastered all of Augustine is a liar'.

Augustine lived at the time of the fall of Rome and the initial breakdown of Roman society, a time when the primary surviving institution was the church, and the world longed for stability of 'the good old days'. Augustine himself was a man of great passion who had in his youth no problem of acting out of that passion; he had deep, powerful relationships and a keen intellect and personality that attracted people to him. It is perhaps this social aspect, Cooper states, that is the primary aspect of Augustine, both in his relationship in the world and his desiring a relationship with a God who also desires to be in relationship.

Cooper follows the first nine books (chapters) of 'Confessions' closely, and gives a brief overview of the rest of the 'Confessions', to some extent doing in some regard what he criticises others for doing - Cooper mentions that often when 'Confessions' are assigned as reading in college, only the first nine books are required. The tenth book is a remarkable piece of psychological self-study (centuries before psychological study was born), and the rest give insights into the way Augustine read scripture (a vitally important piece in understanding Augustine's overall thought development) as well as the kinds of unanswered questions that followed Augustine throughout the rest of his career.

Cooper's concludes with an overview of Augustine's life as a bishop (after the death of his mother, his best friend, and his son) and some of his actions, particularly with regard to controversial issues such as the dealing with the Donatists (an officially heretical group still in vogue in northern Africa). Cooper gives some discussion of major issues and writings in Augustine's life post-'Confessions', but given the massive amount of work Augustine produced, this could be in Cooper's book little more than a sampler and outline.

One might wish for a few more chapters to give depth to the issues in Augustine's later works, including some of his sermons, biblical studies, and his work in the massive 'City of God'. Hopefully the easy and energetic writing of this text will inspire readers to further study in Augustine's works, and to that end, Cooper provides suggestions for further reading, which includes brief pieces (Chadwick's 'Augustine: A Very Short Introduction') and magisterial works (Fitzgerald's 'Augustine through the Ages'), as well as the scholarly standards (Brown's 'Augustine of Hippo: A Biography'). There is a brief index as well.

The illustrations by Ron Hill give to a certain extent the same kind of comedic pause in the drama that a short scene by a fool would give in a Shakespearean play - never detracting from the text, they highlight certain points while relieving the reader in key spots of any monotony of text-on-page that might be developing. Hill has also illustrated other 'Armchair Theologian' volumes.

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