with Whatmark? - Rated 
I was sorely disappointed to find no ornate, no even slightly decorative piece of card to help me mark this book. To charge however much more advertising 'with Bookmark' (a capital 'B', take note) only to give the standard line of linen attached to the book is a little scandalous, Ms. Amazon, a little.
(Don't all the Everyman's Library Hardcover titles have a bookmark within them?)
Am I the only one to have not recieved this special 'Idiot Bookmark', or am I simply the Idiot in this situation. The book is lovely but where's the mark!? [the rating is in no way associated with the alleged Bookmark scandal]
Issues with the Wordsworth translation... - Rated 
...took the edge off of this book for me. Please, if you're thinking of reading it, don't buy the Wordsworth even if it is much cheaper. The translation is very strained and produces some quite mangled sentences. Particularly with respect to pronouns, I found: sentences like "He said such-and-such to him" frequently left me puzzled as to exactly who was being addressed and by whom. And certain cultural references that I presume would have been obvious to a 19th-century Russian were left unexplained. The lack of any kind of notes or list of characters was also missed.
The blurb and the other reviews suffice to tell what the story is about so I will just add that this is still a very interesting read which could be as good as Crime and Punishment depending on the translation. For a non-Russian the exotic Russian names and particularly the use of patronymics and diminutives adds a little to the confusion and may cause the reader to conflate several characters for quite a while, but I found that after a couple of hundred pages I was more comfortable with this. I was less comfortable with the fiery Russian temperament of the characters - particularly Aglaia and Lizaveta Prokofyevna - which frequently meant that they hated and loved someone...and then hated and loved them again...all in the space of one paragraph. It's often hard to tell who is mad and who is sane. They all seem a little mad. Still, it is certainly very intriguing and interesting and I recommend it.
A revealing classic - Rated
The Idiot is one of the finest novels in history, perhaps the finest. In this novel, the enigma that is often referred to as "THE RUSSIAN SOUL" is variously dissected through the different characters and more so by the hero of the story Prince Myshkin. In its simplest explanation, it is a soul with good intentions but faulty in executing the intentions. It is a soul in conflict, driven by the zest for life and a search of its meaning. Certainly the most Christian of Dostoyevsky's novels, THE IDIOT portrays how disastrous a good life can be. Rich in characters, this classic centers mostly on the good Prince Myshkin, a recovering epileptic with a rich soul who is easily perceived as an 'idiot' by the casual observer who focuses on his childlike manners especially in expressing himself and his naivety in dealing with people. But then a closer look reveals that his manners are the reflections of his honest soul, the wealth of his big heart and the broadness of his mind.
And only in deeper engagements does it become evident that Myshkin however has superior understanding and expression, which makes him modest and intelligent rather than stupid. His simple, honest and decent life is succinctly conveyed in his interactions, generating both love and resentment. The saintly Myshkin however struggles to deal with a materialistic world which has no place for the virtuous, and to reconcile his passionate and compassionate love for two women. But the love of the women corrupt and drives men out of their minds. Nastasia Filipovna whom Myshkin has compassionate love for is a tormented soul that can only love Christ and in Myshkin she found that Christ-like figure. Her rival Aglia has Myshkin's heart but failed to understand Myshkin's serene love for her and abandons him to the destructive love of Nastasia.
This is great intellectual work that we should to take seriously in general, a book to read with a serious mindset. Then you will understand the unique nature of Russia which our western minds have difficulties to comprehend. This strange land called Russia that has a bigger soul than any other is explored here in this story in a way that only Dostoyevsky unveils. Read it and you will finish it enriched. The Idiot is a thoroughly enjoyable novel of ideas that explores the nature of man and society and gives you a better idea of man and his actions. You shouldn't find it strange that the characters are philosophical, impulsive, introspective, energetic, colorful, and extreme in their passions. That is Russia, a land of extremes. This book is likely to impact you. It is one of the few of our times. I highly recommend it along with THE UNION MOUJIK.Also recommended: THE BROTHERS KARAMAZOV,THE USURPER AND OTHER STORIES, CRIME AND PUNISHMENT, TRIPLE AGENT DOUBLE CROSS
one of my favourite books - Rated
I am suprised that many readers seem to feel that the book goes of as it progresses. I thought it was wonderful all through although I wasn't quite convinced by the ending.I found all the characters interesting and engaging. It is written with great feverishness that sweeps the reader into the world of the novel. I read the pengin classics version and found the translation perfectly acceptable. This book works almost as an encyclopedia of emotions, using various incidents and set pieces. I am only eighteen and found the book completely accessable: don't be put off because it is aclassic, or overly respectful and intellectual, it is just a wonderful book.
Among Dostoevsky’s finest - Rated
‘The Idiot’ is the story of Prince Myshkin, a young Russian noble. In his infancy, he was diagnosed with a form of ‘idiocy’ and sent to Switzerland to be cured. The book begins with his return to Russia as a young man, apparently cured. However, he is still labelled an ‘idiot’ because his sheltered upbringing abroad means that he doesn’t understand the complex rules governing social interactions among the Russian middle classes, and approaches these interactions with a simple good-heartedness and a willingness to do the right thing.
The main story involves the competition of several young men for Nastasya Fillipovna, a self-destructive beauty whom the rules of society have labelled a fallen woman through no fault of her own. She is forced to choose between a happiness that she is told that she doesn’t deserve with Myshkin, a dangerous existence with the unstable Rogozhin and a loveless life with Gavril Ardilionivich. The rules of society tell her one thing, her heart another. She becomes increasingly agitated, precipitating a descent into near madness and a truly shocking conclusion.
The clash between Myshkin’s ‘idiocy’ (really Dostoevsky’s image of the perfect Christian) and the realities of nineteenth century Russian society is repeated throughout the book. Dostoevsky never tells just one story where a half dozen can be fitted in, and narratives about money, social status, religion and love are all intertwined to illustrate his point. This can become a little disorientating, but Dostoevsky never loses the thread of the book, keeping one eye firmly on his message throughout. The result is a rather complex series of narratives, requiring a lot of concentration, making ‘The Idiot’ a fairly involved read. However, Dostoevsky never allows ‘The Idiot’ to meander or sprawl, sticking closely to his central themes. It is perhaps less concise than ‘Crime and Punishment’, but I found it every bit as powerful, and although Dostoevsky’s language and pace can be slow and ponderous I was gripped throughout. The ending in particular is breathtaking and shocking, hauntingly written and desperately sad.
The only negative was that the translation I read (Wordsworth) was clumsy, starchy and, at times nonsensical. This was annoying, because it did make certain passages slow and even difficult to work out what was going on. I was caught up enough for this not to be a big problem, but I would advise against the Wordsworth edition (though the translator is wisely anonymous, so I can’t tell if there are other editions using the same translation). This aside, ‘The Idiot’ is brilliant. Dostoevsky at his best, and the very definition of a 5 star read.
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